Tuesday, December 27, 2016

Sunday, December 25, 2016

Tracing Photo Back to a Personal Account

Hapgood shows us a "work outloud" on fact-checking, news checking, and the unsung art of the crap detection. I will be using this example in my class next semester as well as creating a few of my own for the new year.

Another quick lesson in sourcing viral user-created content. Here’s a picture that showed up in my stream today.


OK, so what’s the story here? To get more information, I pull the textual information off the image and throw it in a Google search:


Which brings me to a YouTube video that tells me this was taken “outside a Portland, Oregon Walmart” and has been shared “hundreds of times since yesterday”. So back to search. This next result shows you why you always want to look past the first result:


I type in Portland OR, but the fourth result looks like it is reporting the story as a “local” story (look at the URL) and its location is not Portland OR, but Biddeford, Maine. Further indications here that it might be a good source is that I see in the blurb it mentions the name of the photographer “Matthew Mills”. The URL plus the specificity of the information tell me this is the way to go.

That article points me to what looks like the source where it went viral.


We see here that the original news report had a bunch of things wrong. It wasn’t in Portland, Oregon — it was in Biddeford, which is near Portland, Maine. It hasn’t been shared “hundreds of times” it’s been shared hundreds of thousands of times. And it was made viral by a CBS affiliate, a fact that ABC Action News in Tampa doesn’t mention at all.

OK, let’s go one more step. Let’s look at the Facebook page where Matthew Mills shared it. Part of what I want to see is whether is was viral before CBS picked it up or not. I’d also like to double check that Mills is really from the Biddeford area and see if he was responsible for the shopping carts.

The news post does not link back to the original, so we search on Matthew Mills again, and see some news outlets mentioning the original caption by Mills: “This guy got a lesson in parking”.


That’s not the same as the caption that the news station put up. So we pump that into Facebook, and bingo: we get the original post:


And here’s where we see something I really dislike about news organizations. They cut other news organizations out of the story, every time. So they say this has been shared hundreds of times because in order to say it has been shared hundreds of thousands of times they’d have to mention it was popularized by a CBS affiliate. So they cut CBS out of the story and distort the truth.

On the other hand, one of the good effects of it is sometimes it makes it easier to track something down to the source. News organizations work extra hard to find the original source if it means they can cut other news organizations out of the picture.

But it also tends to distort how virality happens. The picture here did not magically become viral — it became viral due, largely, to the reach of WGME.

Incidentally, we also find answers to other questions in the Matthew Mills version: he didn’t take the picture, and he really is from Old Orchard Beach.

Just because we’re extra suspicious, we throw the image into Google Image to see if maybe this is a recycled image. It does not appear to be, although in doing that we find out this is a very common type of viral photo called  a “parking revenge” photo. The technique of circling carts around a double-parked car dates back to at least 2012:


When we click through we can see that the practice was popularized, at least to some extent, by Reddit users. See for instance this post from December 2012:


So that’s it. It’s part of a parking revenge meme that dates back at least four years, and popularized by Reddit. It was shot by Matthew Mills in Biddeford, Maine, who was not the one who circled the carts. And it became viral through the re-share provided by a local Maine TV station.

Again, all of this takes some time to write about. In practice, though, it doesn’t take much time at all to check.







Friday, December 23, 2016

Democrats need to stop giving up on rural voters, opines Center for Rural Strategies president

Amen bro.
Dee Davis
Democratic candidates have cut themselves off from rural voters and it cost them at the polls in November in the presidential election and congressional races, opines Dee Davis, director of the Center for Rural Strategies, in the Daily Yonder., which the center publishes: "Democrats have a progressively hard time talking to rural voters: no communications channels, no cultural connection, no common vision. And that made a critical difference in 2016 when rural turned out and urban votes declined."

"Democrats seem to say, 'Rural America, vote your pocketbooks,' or 'Vote for us because our policies make your life better,'” Davis writes. "But that kind of electoral transaction rarely happens. That is what Larry Bartels at the Center for the Study of Democratic Institutions calls the 'folklore of democracy.' And it is only that—a story we tell ourselves about self-government. People vote their identity. They vote their culture, their church, their family, their neighborhood. Politics today is about creating, maintaining and expressing social identity."

"The Trump campaign took advantage of cultural identification in building their 'us-against-the-elites, us-against-the-press, us-against-the-world' community'" he writes. "Most of his voters were not convinced Hillary was going to confiscate their guns or that Trump was going to breathe life back into necrotic coalmines and steel mills. But they saw more of themselves in that storytelling community, comprised of hunters, miners, and millhands—part of an iconic America where folks like them were still valued."

"Democrats have relied on a 'demographics-is-destiny' approach that seeks to take advantage of increasing urbanization, increasing racial diversity, and increasing education levels for party growth while moving away from traditional constituencies like rural and white blue-collar voters," he writes. "One goal of this plan has been to turn dynamically changing states like Texas, Mississippi, North Carolina, and Georgia into blue states in short fashion. But the hemorrhaging of blue-collar white voters keeps pushing the timeframe back."

"Another Democrat goal of 2016 was to use Donald Trump’s charged rhetoric against Mexican immigrants to win over wavering Republican states," he writes. "However, half of Latino voters reside either in California, a reliably blue state, or Texas, a reliably red one. Latino votes did not flip any state to the Democrats."

Colleges face a new reality, as the number of high school graduates will decline - MIKHAIL ZINSHTEYN, Hechinger Report

These are some eye popping numbers for publicuniversities Though the country’s number of high school graduates grew by 30 percent between 1995 and 2013, to 3.47 million students, by next year colleges will see a high school graduating cohort that is smaller by 81,000 students – a dip of 2.3 percent. After a few years of some growth, the report projects that from 2027 to 2032 the annual graduation totals will each be smaller by 150,000 to 220,000 people than the ones the nation had in 2013. Fueling the decline will be decreases in the overall student population and growth among specific student groups. An increase in low-income and minority-group students will challenge colleges to serve them better. http://ift.tt/2g4pfxj

Thursday, December 22, 2016

A year in books

Sooooo much to consider and read and do in this midsummer's light. Fire in stove, bright white reading light, mate in a mug.

All stories are really fragments of one story.
— Rebecca Solnit, The Faraway Nearby

We often ignore the importance of language: it’s ability to uplift us, or to shape the way we see and therefore act in the world.
— Alan Moore, Do Design

The closing weeks of a year are often filled with review pieces. Despite myself, I am always drawn to the literary reviews, partly in the hope of discovering something new, partly out of curiosity. What are other people reading? What has attracted them? What have they taken away from the experience?

Reading other people’s recommendations prompts my own reflections. What have I read this year? Why did I read it? Was it because of a steer from a friend, something that I had long anticipated or a serendipitous discovery? Did I delve into the footnotes or bibliography of another book before tracking down this new work? Did I heed the prompt of a newspaper journalist or a blogger or someone I follow on Twitter?

Of course, Austin Kleon is right to sound the alarm about publishing year-in-review lists before the calendar year is even out. After all, there are still a lot of reading days left to discover new pleasures, or to dedicate time to those tomes that have been sitting too long on the to-read pile. Nevertheless, we can be a little fluid about the twelve-month period under consideration.

The following are a few of the books that moved me, delighted me or inspired me in one way or another since the start of the year. I have confined myself to books published either in 2016 or, in several cases, during 2015 but that took time to worm their way into my consciousness. Excluded from consideration are any books I have worked on myself either as author or editor.





The second collection of images are of books awaiting my attention or currently being read. These I fully expect to enthral to the same degree as those already mentioned. It always feels good to have something to look forward to, to be surrounded by potential and anticipation. What Umberto Eco referred to as an anti-library; what Marcelo Gleiser might identify as fish to be caught from the waters that surround the island of knowledge.




What have been your own reading pleasures and discoveries this year?

All writers are puzzle makers. As models of our experience, stories and novels aim not to reduce that experience, or to simplify it, but to reflect its pleasures and sorrows, and to bring its mysteries into sharp focus.
— Peter Turchi, A Muse and A Maze

Writers and storytellers had been nesting their narratives for centuries, of course, in an effort to approximate the networks of story that ramify and complicate our experience of everyday life.
— Michael Chabon, Maps and Legends


Pulling together the above material led me to reflect further on what I have read this year. Some of if was related to the writing of The Neo-Generalist, especially until mid-March. Some of it was early research for a ghostwriting project on Scandinavian leadership. Some of it reading in support of my work as editorial adviser and mentor to other authors. Much of it, however, was simply for pleasure or prompted by curiosity. One way or another, the effects of all this reading find their way into my own writing, whether in articles, blog posts or longer-form books. Reading is how I learn to write.

Paul Auster, ‘City of Glass’ in The New York Trilogy (Faber & Faber, 1988)
Carlos Castaneda, The Teachings of Don Juan (Penguin, 2004)
Robin Chase, Peers Inc (Headline, 2015)
David Hutchens, Circle of the 9 Muses (Wiley, 2015)
Herminia Ibarra, Act Like a Leader, Think Like a Leader (Harvard Business Review Press, 2015)
Herminia Ibarra, Working Identity (Harvard Business School Press, 2004)
Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance (Vintage, 2004)
Peter Turchi, A Muse and A Maze (Trinity University Press, 2014)

Marci Alboher, One Person/Multiple Careers (HeyMarci, 2012)
Charles Baudelaire, The Painter in Modern Life (Penguin, 2010)
Adam Grant, Originals (W. H. Allen, 2016)
John Hagel III, John Seely Brown & Lang Davison, The Power of Pull (Basic Books, 2010)
César Hidalgo, Why Information Grows (Allen Lane, 2015)
Jamie Holmes, Nonsense (Crown, 2015)
Nassim Nicholas Taleb, The Black Swan (Penguin, 2010, rev. ed.)
James Watts, Business for Punks (Portfolio Penguin, 2015)
Vivienne Westwood & Ian Kelly, Vivienne Westwood (Picador, 2014)
David Whyte, The Three Marriages (Riverhead Books, 2010)

Jean Gimpel, The Cathedral Builders (Evergreen Books, 1961)
Claudia Hammond, Time Warped (Canongate, 2013)
Sarah Kay, No Matter the Wreckage (Write Bloody, 2014)
Milan Kundera, Slowness (Faber & Faber, 1996)
Sue Roe, In Montmartre (Penguin, 2014)

Ellis Bacon & Lionel Birnie (eds.), The Cycling Anthology, Volume 6 (Peloton Publishing, 2015)
Paul Halpern, Einstein’s Dice and Schrödinger’s Cat (Basic Books, 2015)
Alan Lightman, Einstein’s Dream (Corsair, 2012)
George Monbiot, Feral (Penguin, 2014)
Marianne Moore, Observations (Farrar, Strauss & Giroux, 2016)
Claudia Rankine, Citizen (Penguin, 2015)
Douglas Rushkoff, Throwing Rocks at the Google Bus (Portfolio Penguin, 2016)

Sarah Bakewell, At the Existentialist Café (Chatto & Windus, 2016)
Seamus Heaney, Human Chain (Faber & Faber, 2012)
Milan Kundera, The Festival of Insignificance (Faber & Faber, 2016)
David Mitchell, The Bone Clocks (Sceptre, 2015)
Alan Moore, Do Design (Do Book Company, 2016)
Max Porter, Grief is the Thing with Feathers (Faber & Faber, 2015)
James Rebanks, A Shepherd’s Life (Penguin, 2016)
James Sallis, Night’s Pardons (Five Oaks Press, 2016)

Jan Carlzon, Moments of Truth (Ballinger Publishing, 1987)
Don DeLillo, Zero K (Picador, 2016)
Patrick Kingsley, How to be Danish (Short Books, 2013)
Ian Leslie, Born Liars (Quercus, 2012)
Henrik Norbrandt, When We Leave Each Other (Open Letter, 2013)
Philip Parker, The Northmen’s Fury (Vintage, 2015)
Robert Penn, The Man Who Made Things Out of Trees (Particular Books, 2015)
James Sallis, Willnot (No Exit Press, 2016)
E. F. Schumacher, Small is Beautiful (Vintage, 2011)
Steve Strid & Claes Andréasson, The Viking Manifesto (Marshall Cavendish, 2007)

Anonymous, The Poetic Edda (Oxford University Press, 2014)
Julian Barnes, Keeping an Eye Open (Jonathan Cape, 2015)
Jessica Helfand, Design (Yale University Press, 2016)
Idra Novey, Ways to Disappear (Daunt Books, 2016)
Michael Puett & Christine Gross-Loh, The Path (Viking, 2016)
Helen Russell, A Year of Living Danishly (Icon, 2016)
Matthew Syed, Black Box Thinking (John Murray, 2015)

Michael Booth, The Almost Nearly Perfect People (Vintage, 2015)
Patrick DeWitt, The Sisters Brothers (Granta, 2011)
Kyna Leski, The Storm of Creativity (MIT Press, 2015)
Charly Wegelius & Tom Southam, Domestique (Ebury Press, 2014)

Marcelo Gleiser, The Simple Beauty of the Unexpected (ForeEdge, 2016)
Ian Goldin & Chris Kutarna, Age of Discovery (Bloomsbury, 2016)
Dave Gray, Liminal Thinking (Two Waves Books, 2016)
Michel Houellebecq, The Map and the Territory (Vintage, 2012)
David Mitchell, Slade House (Sceptre, 2016)
Richard Sennett, The Craftsman (Penguin, 2009)

Manuel Castells, Networks of Outrage and Hope (Polity, 2015, 2nd ed.)
Harold Jarche, Working in Perpetual Beta (Tantramar Interactive, 2016)
Ian McEwan, Nutshell (Jonathan Cape, 2016)
David Millar, The Racer (Yellow Jersey Press, 2015)

Sean Bonney, Letters Against the Firmament (Enitharmon Press, 2015)
Lauren Elkin, Flâneuse (Chatto & Windus, 2016)
Ernest Hemingway, The First Forty-Nine Stories (Arrow Books, 2004)
Jennifer Kronovet, The Wug Test (Ecco Press, 2016)
Ian McEwan, The Children Act (Vintage, 2015)
Sharon Olds, Odes (Jonathan Cape, 2016)
Sharon Olds, Stag’s Leap (Jonathan Cape, 2012)
Alice Oswald, Dart (Faber & Faber, 2010)
Grayson Perry, The Descent of Man (Allen Lane, 2016)
Rebecca Solnit, The Faraway Nearby (Granta, 2014)
Rebecca Solnit, Hope in the Dark (Haymarket Books, 2015, 3rd ed.)
Ali Smith, How to be Both (Penguin, 2015)
Kate Tempest, Brand New Ancients (Picador, 2013)
Kate Tempest, Hold Your Own (Picador, 2014)
Kate Tempest, Let Them Eat Chaos (Picador, 2016)
William Carlos Williams, Selected Poems (Penguin, 2000)
Hanif Willis-Abdurraqib, The Crown Ain’t Worth Much (Button Poetry/Exploding Pinecone Press, 2016)

Margaret Atwood, Hag-Seed (Hogarth, 2016)
Paul Beatty, The Sellout (Oneworld, 2016)
Jane Clarke, The River (Bloodaxe Books, 2015)
James Gleick, Time Travel (Pantheon Books, 2016)
Deborah Levy, Hot Milk (Hamish Hamilton, 2016)
Emma Sedlak, What Slight Gaps Remain (Blue Hour Press, 2016)
Nathan Ward, The Lost Detective (Bloomsbury, 2015)
Arnold Weinstein, Northern Arts (Princeton University Press, 2011)

Intermittent dips throughout the year
Jorge Luis Borges, Collected Fictions (Penguin, 1998)
T. S. Eliot, The Poems of T. S. Eliot, Volumes I & II (Faber & Faber, 2015)
Ted Hughes, Collected Poems (Faber & Faber, 2003)
W. S. Merwin, Migration (Copper Canyon Press, 2005)

Saturday, November 26, 2016

The 13 impossible crises that humanity now faces

Concentrate Your MInd, Gather Your Hearts, It Is Time to Rise and Fight I am appalled by the political, social, financial and environmental chicanery that has led us to this particular still point in time. Any one of Monbiot's thirteen points would be a challenge to our survival in some way or other. Together? Potentially 'game-over-man' paralytic. We can only act in our pixel-level consciousness, we can only hope that as we do such the screen that emerges is a clearer one, a more crystal
The 13 impossible crises that humanity now faces submitted by /u/capcaunul
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The Milky Way by Michael Jordanoff

I am reminded of the Eames Brother's documentary, "Powers of Ten", as I look at this wondrous view of the Milky Way. 9da193714e2fe47bfe55377612576d9e

The Milky Way by Michael Jordanoff

The Milky Way on the Wainuiomata South Coast in New Zealand on a crystal clear night

Michael Jordanoff: Photos

This made me giggle by how morbid it is

None of us see our own self organizing criticality. (http://ift.tt/yfzLIt)
This made me giggle by how morbid it is submitted by /u/Dubtrooper to /r/gaming
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Friday, November 25, 2016

Elaborately-detailed sculptures made from stacked sheets of laser-cut paper

What other adjacencies will arise from this? Artificial lungs by layering tissue? Printing carbon fiber armor with layers?


Strictly Paper blogs the work of Eric Standley, who uses lasers on hundreds of sheets of paper to create incredibly-detailed works of art. [via]

These laser-cut masterpieces, reminiscent of stained glass windows, are inspired by geometry found in Gothic and Islamic architectural ornamentation in an attempt to capture a reverence for the infinite. “I am interested in the conceptual migration from the permanence and massiveness of stone to the fragility and intimacy of paper,” he mentions in an artist statement.




Of course Zuckerberg wants to bow to Chinese censorship

Zuckerberg sells out the world. Silicon Valley and Uncanny Valley. Full of people who, like Zuckerberg, look almost human. Creepy isn't it.



Thursday, November 24, 2016

1934.Hitler at Nazi Party Rally.The Rising. - NowComment.com

I write this on Thanksgiving morning. Not really a time for anxious frettery, is it? Yes. Now and every moment from now on is the time form the ragged attentiveness we need. For example, when someone says alt-right, I say Nazi. Authoritarianism of any stripe cannot be dealt with as if it was a reasonable creature, a dude at a bar with a beer. You cannot whisper truth to power. They are Nazi’s. They will be the Sturmabteilung. Believe it. You can do some important thinking by checking out this photo from the Time Top 100 photos site. http://ift.tt/2gm0Cl9

Well you better listen my sister’s and brothers,
‘cause if you do you can hear
There are voices still calling across the years.
And they’re all crying across the ocean,
And they’re cryin’ across the land,
And they will till we all come to understand.

None of us are free.
None of us are free.
None of us are free, one of us are chained.
None of us are free.

And there are people still in darkness,
And they just can’t see the light.
If you don’t say it’s wrong then that says it right.
We got try to feel for each other, let our brother’s know that
We care.
Got to get the message, send it out loud and clear.

None of us are free.
None of us are free.
None of us are free, one of us are chained.
None of us are free.

It’s a simple truth we all need, just to hear and to see.
None of us are free, one of us is chained.
None of us are free.
Now I swear your salvation isn’t too hard too find,
None of us can find it on our own.
We’ve got to join together in spirit, heart and mind.
So that every soul who’s suffering will know they’re not alone.

None of us are free.
None of us are free.
None of us are free, one of us are chained.
None of us are free.

If you just look around you,
Your gonna see what I say.
Cause the world is getting smaller each passing day.
Now it’s time to start making changes,
And it’s time for us all to realize,
That the truth is shining real bright right before our eyes.

None of us are free.
None of us are free.
None of us are free, one of us are chained.
None of us are free.

Written by Barry Mann, Cynthia Weil, Brenda Russell • Copyright © Sony/ATV Music Publishing LLC, Universal Music Publishing Group